Biography

The figure was built for the period's covers: 38-27-37 inches, a 38D bust that was natural, 5 feet 5 inches and 130 pounds on a slim frame. Brown eyes, and hair that moved between brunette and blonde, medium length and wavy. The word little in front of a 38D bust is the joke the billing keeps making, and she leaned into it rather than softening it. On camera she was direct, unhurried, and willing to hold a shot long after a less confident performer would have broken it. That composure is why the oral scenes read as work rather than performance, and why the features kept coming.

The lesser known half of the career sits in fetish shorts, where she took both the dominant and the submissive part. The submissive work was physical and unglamorous: realistic bondage, including breast bondage, and corporal punishment in the form of spanking and flagellation. She also shot sexy wrestling and catfight footage for companies such as Triumph Studios and Curtis DuPont, a corner of the market that rarely appears on a standard filmography. None of it was soft-focus teasing. It was made for viewers who wanted the equipment, the marks and the duration, and she delivered with the same steadiness she brought to a feature. The range from feature lead to wrestling mat is the real shape of the career.